Wednesday, December 18, 2019

compacing Facing it and Dulce et Decorum Essay - 1482 Words

â€Å"Facing it† by Yusef Komunyakaa and â€Å"Dulce et Decorum Est† by Wilfred Owen, are two powerful poems with the graphical life like images on the reality of war. It is apparent that the authors was a soldier who experienced some of the most gruesome images of World War I. In â€Å"Ducle et Decorum Est† Owen tells us about a personal experience in which he survived a chemical warfare attack. Although he survives, some of his fellow troops do not. As in â€Å"Facing It† Komunyakaa is also a soldier who has survived a war. Komunyakaa response to his war experience is deeply shaped by his visit to Lin’s memorial. Inspired by the monument, Komunyakaa confronts his conflicted feelings about Vietnam, its legacy, and even more broadly, the part race plays in†¦show more content†¦He struggles to internalize his emotions, telling himself he is stone, like the granite memorial, a strong and steady reminder of the past, but he fails as he realize s the difference between him and the memorial: he is a living human being. He shares the darkness, the blackness, with the granite memorial, yet he can feel the full impact of this connection whereas a granite memorial cannot itself feel the pain that it directly represents. The overall moral of the poems is fairly up front for the reader. It is that war is not how stories make it sound, it is not honorable and fun and glorious, it is gruesome, deadly, and changes the lives of many young men and women who still had a lot of life and innocence left in front of them, and now all they will have are the memories of death and their friends dying in front of them. As Komuyakaa face becomes clear it now serves as a direct reminder of the emotional impact of his surroundings upon him, through mirroring his own face and also by simultaneously illuminating his surroundings and his silhouetted existence within these surroundings, reminding him that he stands within the Vietnam Memorial. This e ffect is described within the (lines 8-13) His constant turning and moving from angle to angle also suggests emotion as he cannot view the

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